You may not have been able to see Romeo and Juliet, but perhaps other tragedies are available. Try to see any of the tragedies by Aeschylus, Sophocles, or Shakespeare; Ibsen’s Ghosts; John Millington Synge’s Riders to the Sea; Eugene O’Neill’s Long Day’s Journey into Night; Tennessee Williams’s The Glass Menagerie; or Arthur Miller’s Death of a Salesman. Analyze the issues of tragedy we have raised. For example, decide whether the play is archetypal. Are there tragic fl aws? Are there reversals and recognitions of the sort Aristotle analyzed? Did the recognition and reversal occur simultaneously? Are the characters important enough—if not noble enough—to excite your compassion for their sorrow and suff ering?
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