Answer To: Application Assignment 1: Media Critique The theories we discuss in class have applications beyond...
Bidusha answered on Jan 29 2022
Marxist/Socialist Feminist Theory in The Headless Woman (2008) 4
MARXIST/SOCIALIST FEMINIST THEORY IN THE HEADLESS WOMAN (2008)
Table of Contents
Introduction 3
Plot Summary 3
Analysis 5
Conclusion 6
References 8
Introduction
The Headless Woman (2008) is a film about Verónica (Vero), an Argentinean bourgeois woman, and how her world spirals out of control when she believes she hit and murdered someone with her automobile. The Marxist/socialist feminist perspective of this film will be explored in this assignment. Vero gets sidetracked by her phone while driving, and when she glances down to respond it, her car collides with something. She examines herself in the rear-view mirror, gathers her thoughts, and drives away. A dog lies motionless on the ground in a non-point-of-view image of Vero racing away from the incident. Even though Vero appears unconcerned about the circumstance, it was apparent that the encounter had caused her great distress.
Plot Summary
Solely on a single aspect, this is the narrative of a middle-aged, middle-class lady who is involved in a vehicle accident, gets a trauma, and subsequently fears she has hit, and possibly killed, a small kid. On yet another level, this is a sociopolitical allegory about the completely vanished, the thousands of labor unions, protesters, and left-wing youngsters who vanished during Argentina's authoritarianism in the 1970s (Ivens, 2021). The movie is organized in such a way that the spectator experiences Vero's (Mara Onetto) uncertainty and dissatisfaction. When her husband realizes she could be to blame for the murder of an indigenous youngster, he hides the proof, keeping her in the darkness. The video makes a connection between women's powerlessness in the home and societal prejudice.
Four young males and their dog run along the motorway in the beginning of the story of this Argentine movie. They are brimming with energizing, lively vitality. Elsewhere, Veronica (Maria Onetto), a rich middle-aged lady who manages a dentistry practice with her brother, departs from a party with a circle of friends and drives down the motorway alone in her automobile. She hears a crash and believes she has ran over something while looking for her phone. Veronica comes to a complete halt in her automobile, immobilized in terror. She believes she sees the corpse of a dog in the rear window, even though she is not convinced. She does not, however, search beneath or around the automobile for a human body. Instead, she kept driving.
At the hospital, Veronica gets X-rayed, and her spouse, Marcos (Cesar Bordon),...