Topic : How might Caligari be perceived as a critique of war and its effects on culture?This papershould be 3-4 pages in length – ca. 1000 words. As we discussed in class, the point of such a paper is...

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Topic : How might Caligari be perceived as a critique of war and its effects on culture?

This paper
should be 3-4 pages in length – ca. 1000 words. As we discussed in class, the point of such a paper is to distill
your argument and present it as concisely as you can. This means, you will need to make hard choices about
what to leave out: what points and examples from the film are crucial to the execution of your argument? You
should provide examples from the film(s) you are discussing and/or quotes from the readings that you might use
in order to support your argument. You must use at least 2 images from the film to elucidate your argument.
Since the paper is so short, you will need to pick your examples carefully in order to make your thesis as
convincing as possible. You are welcome to use images you have already discussed in another assignment--just
say more and/or integrate your observations into a longer-form expository writing. There is no need to consult
extra outside sources for this paper. (However, you may want to make use of some of the readings for the
course.) We simply want to see you engage critically with one or more of the films or concepts discussed so far
in the course, presenting this engagement as a clearly defined argument. Your paper should offer a compelling
and plausible reading/illumination of a film or text, using concrete examples from the film to bolster your
interpretation. You are not necessarily arguing a position or an opinion--you are using evidence from the text to
"show" your reader something in the film they might not have noticed before and convincing them that what
you see is real and deeply or widely present enough to be of significance.
Remember: You paper should address not only (1) the narrative of the film but also (2) film form
(style/mechanics – i.e. use of cinematography, editing, sound, mise-en-scene, etc.) and (3) historical or
social context (even if this is not your focus, it is important to consider this aspect for the purposes of your
paper. There is ample information in the course readings for you to feel confident that you know
something about the period)



Here link of the film if needed
Answered 18 days AfterOct 31, 2022

Answer To: Topic : How might Caligari be perceived as a critique of war and its effects on culture?This...

Dr. Saloni answered on Nov 01 2022
53 Votes
8
Caligari
Many contemplate Caligari to be the pioneering true horror movie, but it also remains the quintessential convincing component of German expressionist film. Its visual style is unrivalled in the theme, with harsh lines, crooked backdrops, surreal nature, and painted shadows pervading every scenario. Distortions and distorted view
points are consistent, and strokes-bold brush paint shadows with round curves and sharp edges in equal measure, as structures and lines strike and twist to frame nightmarish patterns (Sacchi et al.). This movie translates military aggression as well as thwart into internal tableaux of horror and crime, addressing an implicit but more deeply moving comprehension of trauma than several conventional war films.
Caligari was presented immediately following World War I. After the German forces were conquered in World War I, the country was taken over by the United States government during the 1920s. This led to the loss of several lives, and the financial system was a massive failure and at an all-time low. The war had left the citizens deeply traumatised, and then had to confront the facts about their deep recession. This great nation was once known as the world’s major nation. This movie's screenplay sparked the attention of the filmmakers right away. Carl Mayer came up with the concept after witnessing a murder and seeing an illustration at the scene. He later encountered the same image at a funeral. It reflects the turmoil as well as the social anxiety that wracked Germany during the Holocaust. It was then classified as a film depicting the German Expressionism's artistic style.
Carl Mayer and Hans Janowitz wrote the script, both of whom had been reportedly dissatisfied with the distrustful military power following World War I. They make melodrama, false belief, or science fiction out of vague feelings of failure, penance, and maimed pride. They instil fear of incursion and injury, as well as paranoid delusions and panic. The movie depicts their feelings by portraying an insane and brutal authority that manipulates everyone under its control to its end. Conrad Veidt (Cesare), the somnambulist persona, is to be regarded as a military man who follows orders with no control over the situation. Of course, this served as a foreshadowing of the actions of German soldiers in the years that followed (Ibarra).
After World War I, Germany had been largely disconnected from the remainder of the world. As a result, expressionism had become constrained to the nation and pertains to a range of artistic movements and activities from WWI to the 1920s. Expressionist efforts used artistic and bold expressions of inventiveness to analyse the future and present condition of the culture, and frequently explored subjects such as betrayal, madness, as well as other intellectual notions. Nothing captures all of these concepts better than Caligari. Caligari's contorted visual oddity and scenery contribute significantly to its feeling of apprehension and unease. It is still effective today and, at the moment, was beyond anything that anyone had witnessed before (Heynen).
Moreover, Caligari thrives as a nightmare perspective of the time frame between world wars, under a government system susceptible enough to witness the emergence of a new leader prepared to lead a community into some other disasterous postwar blowback period. Its timing and location, merely...
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