This selection f rom Losi11_q lvlart Shepard closes with Loffreda 's discussion of what she tenns "the limirs of identification," starting with her account of Jay, an American Indian student at the university. In a sense, Susan Faludi's TI11' Naked Citadel could also be desc1ibed as a piece centrally concerned with "the limits of idenrification"-including identification based on gender. What are the fan.its Loffi-eda has in mind, and what limits do you find at The Citadel? How are these limits discovered by people in both communities? Do you see evidence of change?
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