Should you have the chance to experience a drama produced by any of the directors or groups mentioned above, try to distinguish its features from those of the more traditional forms of drama. What...

Should you have the chance to experience a drama produced by any of the directors or groups mentioned above, try to distinguish its features from those of the more traditional forms of drama. What observations can you add to those made above? Consider the kinds of satisfaction you can get as a participant. Is experimental drama as satisfying as traditional drama? What are the diff erences? To what extent are the diff erences to be found in the details? The structure? Are experimental dramas likely to be episodic or organic? Why?