Hi the assignment and rubric is attached below.It requires detailed explanations

Music Lessons
Music Lessons
Music Lessons    September 16    2019    
    
Introduction
Music is fully connected to the environment in which it is produced, consumed and taught, and the interrelationships between music, society, and culture have been studied for decades. Research in the field of ethnography explores how social and cultural practices affect the practice of music in both macro and micro ways.
Section 1
Music features of Senegal country Senegal traditional instrument
There is a wide variety of music throughout the Senegal country. From birth to death, music is almost every aspect of life. It is closely related to festivals, work, politics, courtship and entertainment. Multi-art works involving music, dance and drama the latter two usually involve wonderful visual effects of clothing and masks occur frequently throughout the continent. Due to the vast differences in the continent and culture of the Senegal continent, one can look forward to the diversity of music (Anderson and Lawrence, 2001). The following overview identifies some of the basic features of most of the music in sub-Saharan Africa and provides resources for organizing classroom music research. Much traditional Senegal music is public and functional; it is usually associated with dance and games. Although there are some exceptions, the focus is on groups rather than single performers. The melody is usually very short; longer melody usually consists of phrase units.
The ethnic population of the Senegal is 44.3% Wolof, 24.8% Fula, 14.7% Cerel, 14.7% Chora, 3% Mandingka and 1.3% Sonningka, of which 1% is Lebanese and Europeans. And 9.5% is classified as "other Senegalese music is influenced by Mali Empire, although it is often fast or vivid, while Mali's singing is calm and classical. Mbalax (meaning "rhythm" in Wolof), which originated from the accompaniment rhythm of the Sare music of the Seri Kingdom and spread to the kingdom of Salom, where Wrolov immigrants took it Into the Kingdom of Wolof. Some techniques of Nder (main drum), Sabar (drum) and Tama (speaking drum) percussion can be traced back to Njuup's etiquette music. Serer's everyday language is full of complex overlapping rhythms, while rituals have a strong level of sound and rhythm. Njuup is also the ancestor of Tassu, use to chanting ancient religious scriptures. The Senegalese aristocracy is still married, using it when naming a ceremony or singing a customer. Most artists in Senegal and the Gambia utilize it in their songs. In the 1990s, Thione Seck was born. It was the descendant of Lao Dior, the prince of the Cao, and eventually formed his personal band, Raam Daan. He uses electronic instruments in lots of popular distributions, particularly Diongoma or Demb. In same period, Ismael Lô, a member of the Ismael Lô, rose. His popular songs include "Ataya", "Sedo" and "Jerreby".
Baaba Maal is other famous singer in Senegal. He is from the Podor and has a scholarship to study music in Paris. Maal's integration continued into further decade, and his Firin'in Fouta (1994) album use Breton, salsa and ragga harp music to make a popular voice, which began a group of rappers' "positive black soul" The cause also contributed to formation of African black Coulter sound systems. His fusion tends to continue on the Nomad Soul in 1998, featuring Brian Eno as the seven producers.
Despite the breakthroughs made by female performers somewhere else in the West Africa, particularly in Mali, Senegalese women have some opportunity before 1990s. The woman’s first worldwide release film is KinéLam’s Cheikh Anta Mbacke (1989). The success of this song brought a series of female performer, including Daro Mbaye, Madiodio Gning, Fatou Guewel moreover Khar Mbaye Madiaga. However, Lam is still probably the most powerful female musician of 1990s; create a modern version of the sabar ak xalam by adding bass guitars and synthesizers to Sunu Thiossane in 1993. In 1998, Fatou Guewel released a CD called "Fanou", which had a major impact on Mbalax. The same is true of her band "Groupe Sope Noreyni".
The novel century witnessed rise of the Viviane Ndour. She is famous among Senegal or Diasporas, working with the French rapper Zouk and Mokobe artist Philip Montiero, furthermore incorporating Hip-Hop, RnB and other factors into her individual Mbalax style. Folk folk music left a mark on the music culture of Senegal. Artists contributing to this type include Pape Armand Boye,...