Furthermore, the lines of the viaduct lead (with the help of an axis line) to a meeting point with the long road that runs (also with the help of an axis line) toward the left side of the mountain. The fi elds and buildings within that triangle all seem drawn toward that unseen apex. Why did Cézanne organize this middle ground more geometrically than the foreground or the mountain? And why is the apex of the triangle the unifying area for that region?
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