Close textual analysis of the first two scenes (two minutes) of the movie Gone Girl
https://www.youtube.com/watch?v=dIATwdLaoS412/24/2019 Assignment 2: Close textual analysis https://swinburneonline.instructure.com/courses/1303/assignments/14357 1/6 Teaching Period 3, 2019 MDA10003: Screen Studies: Movies, Television and Ourselves Assignment 2: Close textual analysis Word limit: 1000 words (+/- 10%) Weighting: 30% Due date: 5pm AEDT Monday 30 December 2019 (Week 7) After you have read this information, head over to the Assignment 2 Q&A discussion board to ask any questions and see what your peers are saying about this assignment. Assignment overview This assignment requires you to prepare a close textual analysis of a scene (or scenes) from a film or television show of your choosing. This assignment supports unit learning outcomes 1, 2, 3 and 4. Assignment details Prepare a close textual analysis of a scene (or scenes) from a film or television show of your choosing. Scrutinise the scene shot by shot. After watching the sequence multiple times, identify and explain how the formal elements (e.g. mise-en-scène, editing, cinematography, sound) are used. Interrogate why and how these elements have been used to achieve a certain effect. Apply the terminology and concepts used in this unit so far. It is essential that your analysis is supported with evidence from the film and relevant scholarly references. The following list offers some tips when writing a textual analysis: Provide an introduction, body of the analysis, conclusion and reference list. Cross-reference where possible i.e. do not compartmentalise topics (such as aspects of form) into discrete paragraphs. Break down your paragraphs thematically, which will allow for a more elegant structure. Support every argument. Make sure you have sufficient evidence to make your points and arguments persuasive. Place further information in a footnote, if necessary. https://swinburneonline.instructure.com/courses/1303/discussion_topics/216940 12/24/2019 Assignment 2: Close textual analysis https://swinburneonline.instructure.com/courses/1303/assignments/14357 2/6 Ensure that each paragraph covers a particular point and argument (i.e. make sure that each paragraph has a focus without trying to cover too much). Include one point or argument in each paragraph. Do not leave sentences in isolation, but combine them into paragraphs that cover one point or topic. You do not need to provide a plot synopsis—only discuss the plot where relevant. Avoid evaluative phrasing and personalisation to maintain critical distance. Discuss the 'spectator' or the 'audience' rather than 'I' or 'you'. Aim for an academic tone; avoid colloquialisms or loose informal phrasing. For instance, it is 'film' not 'movie'. Proofread thoroughly to avoid stylistic, grammatical and spelling errors. Additional resources Have a look at the following example of past student work, Assignment 2 Exemplar (PDF 221 KB), as a guide when approaching this assignment. Submission details overview This assignment will be submitted via Turnitin. You will find the relevant submission point below. Please allow a 24-hour turnaround for an originality report to be generated. See the Turnitin originality report (https://portal.swinburneonline.edu.au/study-resources/turnitin-originality-report-0) area of Study Resources for several guides to assist with the submission process. Assignment support Don't forget that in addition to your eLAs who provide discipline-specific content advice, you can access the 24/7 draft writing service from Studiosity. If you need assistance with academic feedback on a draft of your assignment task see Assignment support: Studiosity. Assignment criteria 1. Content of textual analysis demonstrates understanding of the chosen screening and relevant film concepts. 2. Analysis is presented in a clear, coherent and engaging manner. Your work will be assessed using the following marking guide: Assignment 2 marking guide https://swinburneonline.instructure.com/courses/1303/files/1076885/download?wrap=1 https://swinburneonline.instructure.com/courses/1303/files/1076885/download?wrap=1 https://portal.swinburneonline.edu.au/study-resources/turnitin-originality-report-0 https://swinburneonline.instructure.com/courses/1303/pages/assignment-support-studiosity 12/24/2019 Assignment 2: Close textual analysis https://swinburneonline.instructure.com/courses/1303/assignments/14357 3/6 Criteria No Pass Pass 50-59% Credit 60-69% Distinction 70-79% High Distinction 80-100% Criteria No Pass Pass 50-59% Credit 60-69% Distinction 70-79% High Distinction 80-100% Content of textual analysis demonstrates understanding of the chosen screening and relevant film concepts (70%) Did not meet criterion. Basic identification of the formal aspects used in a scene (e.g. cinematography, editing, mise- en-scène, sound). Identification of the formal aspects used in a scene (e.g. cinematography, editing, mise- en-scène, sound). Explanation of how the filmmaker has used these formal aspects to achieve a particular effect. Identification of the formal aspects used in a scene (e.g. cinematography, editing, mise- en-scène, sound), using correct terminology. Clear explanation of how and why the filmmaker has used these formal aspects to achieve a particular effect. Thorough identification of the formal aspects used in a scene (e.g. cinematography, editing, mise- en-scène, sound), using correct terminology. Clear and concise explanation of how and why the filmmaker has used these formal aspects to achieve a particular effect. No extraneous information. 12/24/2019 Assignment 2: Close textual analysis https://swinburneonline.instructure.com/courses/1303/assignments/14357 4/6 Criteria No Pass Pass 50-59% Credit 60-69% Distinction 70-79% High Distinction 80-100% Analysis is presented in a clear, coherent and engaging manner (30%) Did not meet criterion. Acceptable standard of presentation with clear language. Good standard of presentation, with clear language. Accurate spelling, grammar and referencing. Reference list included at the end of the analysis. Very good standard of presentation, with clear language that maintains critical distance. Accurate spelling, grammar and referencing. Reference list included at the end of the analysis. Outstanding standard of presentation, with clear language that maintains critical distance, coherent flow and linkage of ideas and sections. Accurate spelling, grammar and referencing. Reference list included at the end of the analysis. Request for assignment extension We understand that at times your studies may be adversely affected by illness, misadventure or some other extraordinary cause or circumstance reasonably beyond your control. If you feel this is the case and you need an extension to support you in completing your assignments, please select the option that you feel is most appropriate for your situation. Please note: the request must be received prior to the submission date and time of the assignment. Assessment declaration I would like to request a 48-hour extension I would like to request longer than 48 hours 12/24/2019 Assignment 2: Close textual analysis https://swinburneonline.instructure.com/courses/1303/assignments/14357 5/6 All students must agree to the following declaration when submitting assignment items. Declaration and Statement of Authorship 1. I have not impersonated, or allowed myself to be impersonated by any person for the purposes of this assignment. 2. This assignment is my/our original work and no part of it has been copied from any other source except where due acknowledgement is made. 3. No part of this assignment has been written for me by any other person except where such collaboration has been authorised by the lecturer/teacher concerned. 4. I have not previously submitted this work for this or any other course/unit. 5. I give permission for my assignment response to be reproduced, communicated, compared and archived for plagiarism detection, benchmarking or educational purposes. I understand that: Plagiarism is the presentation of another person's work as though it is your own. It is a form of cheating and is a very serious academic offence that may lead to exclusion from the university. Plagiarised material may be drawn from published and unpublished written documents, interpretations, computer software, designs, music, sounds, images, photographs, and ideas or ideological frameworks gained through working with another person or in a group. Plagiarised material can be drawn from, and presented in, written, graphic and visual form, including electronic data and oral presentations. Plagiarism occurs when the origin of the material used is not appropriately cited. I agree and acknowledge that: 1. I have read and understood the Declaration and Statement of Authorship above. 2. I accept that use of my Swinburne account to electronically submit this assignment constitutes my agreement to the Declaration and Statement of Authorship. 3. If I do not agree to the Declaration and Statement of Authorship in this context, the assessment outcome may not be valid for assessment purposes and may not be included in my aggregate score for this unit. 4. I am aware that it is not acceptable to resubmit the same piece of work (in part or as whole) for multiple assignments without permission from the Unit Coordinator. Penalties for plagiarism (https://www.swinburne.edu.au/current-students/manage-course/exams-results- assessment/plagiarism-academic-integrity/plagiarism-misconduct/) range from a formal caution to expulsion from the university, and are detailed in the Student Academic Misconduct Regulations 2012. (https://www.swinburne.edu.au/about/leadership-governance/policies-regulations/statutes- regulations/student-academic-misconduct/) https://www.swinburne.edu.au/current-students/manage-course/exams-results-assessment/plagiarism-academic-integrity/plagiarism-misconduct/ https://www.swinburne.edu.au/about/leadership-governance/policies-regulations/statutes-regulations/student-academic-misconduct/ 12/24/2019 Assignment 2: Close textual analysis https://swinburneonline.instructure.com/courses/1303/assignments/14357 6/6 Exemplar - MDA10003 TP3 2019 This exemplar is to be used as a guide to direct you on your assessment. In order to maintain your academic integrity, you should not copy the exemplar in whole or in part. A high TurnItIn similarity report would lead to a breach of academic misconduct. Close Textual Analysis Assignment 2 Due date: 10th December 2018 Word Count: 992 Exemplar - MDA10003 TP3 2019 This exemplar is to be used as a guide to direct you on your assessment. In order to maintain your academic integrity, you should not copy the exemplar in whole or in part. A high TurnItIn similarity report would lead to a breach of academic misconduct. Jonathan Demme’s 1990 cinematic adaptation of Thomas Harris’ bestselling novel The Silence of the Lambs is a psychological thriller and horror film, which combines and explores the themes of transsexuality, empowerment and feminism through the character development of the chief protagonist, Clarice Starling. With the insightful and enduring dialogue of Ted Tally’s screenplay, the director’s constant and defining use of close-up shots and tight camera framing of central characters, as well as economic mise-en-scene, the viewer is regularly compelled to experience the chilling and terrifying nature of the subject matter directly through the eyes of the novice FBI agent Starling. The purpose of this analysis is to provide an examination of the elements of the scene where Starling is first introduced to the primary antagonist, Hannibal Lecter (Movieclips 1991). The current analysis will also discuss how the filmmaker explored the above themes by examining the formal aspects of this scene. Having been charged with the responsibility of interviewing imprisoned serial killer Hannibal Lecter, FBI agent Starling’s first encounter with the chief antagonist is as confronting for the viewer as it is Starling, largely due to the realistic setting and the atmospheric lighting of the mise-en-scene. As the audience often judges the mise-en-scene by standards of realism (Bordwell & Thompson 2011), the filmmaker’s depiction of Lecter’s prison cell establishes a distinct and sombre mood with his