Close reading and analysis of a secondary sourcehttps://nanapvcc.wordpress.com/2013/02/08/short-story-analysis-kurt-vonneguts-harrison-bergeron/
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A Hanging – George Orwell A HANGING – GEORGE ORWELL GEORGE ORWELL - BIOGRAPHY Eric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English author. His work is marked by a profound consciousness of social injustice, an intense opposition to totalitarianism, and a passion for clarity in language. Considered perhaps the 20th century's best chronicler of English culture, he wrote works in many different genres including novels, essays, polemic journalism, and poetry. His most famous works are the satirical novel Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949). A HANGING - CONTEXT In the 1920’s the south-east Asian country, Burma, (now known as Myanmar) was part of British Empire. As a young man, George Orwell enlisted with the Indian Imperial Police and quickly attained the rank of Assistant District Superintendent. A HANGING - CONTEXT During his time as a British police officer in an Asian country, Orwell experienced, first hand, the social inequalities present in a country ruled by a foreign power. These experiences went on to inform much of his written work including his essay, A Hanging. George Orwell SUMMARY - NOTE A Hanging is a reflection on one of the many judicial executions witnessed by Orwell in his official capacity as a chief of justice. Orwell’s detailed observations of the prisoner and the events leading up to his eventual death illuminate the banal reality of death and highlight his strong anti-capital punishment sentiments. WRITER’S PURPOSE - NOTE When producing a written piece of work all writers will have a particular purpose in mind which they wish to communicate to the reader. In A Hanging, Orwell makes a social comment about capital punishment. Through his clever use of language techniques such as imagery, symbolism, tone and word choice Orwell evokes the reader’s sympathy for the prisoner’s plight. QUESTIONS – PARAS 1 AND 2 What evidence is there for the poor condition of the prisoners? For each quote explain, in as much detail as you can, the reason for your choice. 2. Why do you think Orwell chose to include such detailed description of the prisoner’s conditions? SYMPATHY FOR THE PRISONER - SETTING The setting described in the opening lines of the essay immediately highlights the poor conditions in which the prisoners are kept. “A sickly light…” – connotations of prisoner health “small animal cages” – inhumane conditions “ten feet by ten feet and was quite bare” SYMPATHY FOR THE PRISONER – PHYSICAL DESCRIPTION “squatting” – continues animal image “a puny wisp of a man” – suggests malnourishment and neglect. “sprouting moustache, absurdly too big for his body.” Comic image further emphasises the prisoner’s frailty. QUESTION How does the description of the prisoner compare with the descriptions of the guards in paragraphs 2 and 4? In what way does this comparison contribute to the writer’s purpose? CONTRAST – GUARDS AND PRISONER The prison guards are described as; “tall Indian warders” and one, in particular, as a “fat Dravidian” These descriptions of healthy, well-fed guards contrast with the ill treatment of the prisoners . In doing so Orwell stimulates the reader’s sympathy – writer’s Purpose CAN THE PUNISHMENT EVER FIT THE CRIME? For what crime is the prisoner being executed? CAN THE PUNISHMENT EVER FIT THE CRIME? Orwell omits to mention the prisoner’s crime as he does not want the reader to make any judgement about the whether or not the death penalty was justified. By focussing solely on the process of killing another human being Orwell exposes the brutal reality of capital punishment – writer’s purpose. SYMBOLISM – THE DOG Why do you think Orwell decided to include a detailed description of the dog’s appearance in the prison yard? SYMBOLISM - NOTE By noting that the dog goes directly to the prisoner instead of the officials Orwell uses symbolism to suggest that all people are equal regardless of their circumstances. The reaction of the prison officials to the appearance of the dog demonstrates their underlying discomfort at having to take a life – “Everyone stood aghast…” This symbolises Orwell’s further belief that not only is capital punishment wrong, it is also against human nature to kill another person. SYMBOLISM – THE PUDDLE What does Orwell suggest in his description of the prisoner avoiding a puddle while being led to the gallows? SYMBOLISM – THE PUDDLE Although the prisoner is being led to his death he instinctively avoids a puddle in order to minimise his discomfort; a seemingly futile action. Symbolises human survival instinct and reiterates Orwell’s belief that taking life is against human nature. IRONY One of the predominant tones throughout the essay is irony. For example, the prisoner dodging the puddle is ironic because he is going to die anyway. Find and quote 3-4 further examples of irony in the essay. In each case explain how these examples relate to purpose of the essay. (look at paras 12, 14, 17, 18, 23 and 24) IRONY - NOTE “The hangman, a grey haired convict…” – The authorities task the prisoners with killing other prisoners - Passing burden of responsibility – taking life unnatural. “the same thought was in all our minds: oh, kill him quickly…” Orwell appears to want the killing to happen even though he is against it. Indicates the discomfort of everyone in the vicinity. IRONY (CONT.) “He’s all right, said the superintendent” The prisoner is dead. Callous and uncaring statement – reader feels sympathy for the prisoner. “it seemed like quite a homely, jolly scene” An absurd sentiment indicating the relief of the officials now that the execution had been completed. What does this tell you about their feelings towards capital punishment? IRONY (CONT.) “My dear fellow…think of all the pain and trouble you are causing us” Another callous statement directed at a doomed prisoner. The resulting laughter from this anecdote indicates a lack of compassion. The light-hearted atmosphere, after the killing, is a false emotion and acts as a coping mechanism for the men – emphasises inhumane practice. QUESTION In paragraph 10 there is a change in tone where, for the first time, Orwell openly states his opinion on the events he witnessed. Find one phrase from this paragraph which indicates Orwell’s reflection on the events. Find one phrase which clearly indicates Orwell’s feelings. TONE - NOTE “It is curious…” – Reflective tone where Orwell goes on to describe his own feelings on the subject. “The unspeakable wrongness…” – Frankness of tone leaves the reader in no doubt about his opinion on capital punishment. QUESTION In paragraphs 1 and 2 there are a number of examples of figurative language (metaphor, simile, personification etc.) Quote 2-3 examples and in each case explain the comparison being made and how this contributes to the writer’s purpose. FIGURATIVE LANGUAGE (CONT…) “…like small animal cages…” Describes prisoners’ living conditions. Evokes reader sympathy. “it was like men handling a fish which is still alive…” Continues comparison between prisoners and animals. Highlights the helplessness of the prisoner – sympathy. FIGURATIVE LANGUAGE (CONT…) “the Indians had gone grey like bad coffee…” Indicates the discomfort felt by the guards – emphasises dehumanising effect of the execution on the men – Orwell suggests that everybody involved in the execution is a victim. QUESTION What is the purpose of the parenthesis in paragraph 10? How does this contribute to the writer’s purpose? SENTENCE STRUCTURE - NOTE The parenthesis contains a list of bodily functions - “bowels digesting food, skin renewing itself, nails growing, tissues forming” – which remind the reader that the prisoner is a healthy human being who is not ready to die. SENTENCE STRUCTURE (CONT.) The line, “one mind less, one world less” is an example of a rhetorical device called ANAPHORA This involves the repetition of one or more words at the beginning of two or more balanced clauses. Designed to make a point more memorable. ANAPHORA - NOTE OTHER FAMOUS EXAMPLES? “One small step for man, one giant leap for mankind” By ending the paragraph with the line, “one mind less, one world less”, Orwell emphasises that the prisoner is a living human being who is, not yet, ready to die – writer’s purpose. SENTENCE STRUCTURE (CONT.) The final two sentences of the essay are designed for maximum impact. “We all had a drink together, native and European alike, quite amicably. The dead man was a hundred yards away.” The jovial scene of the penultimate sentence is contrasted with the nearby dead man. The final sentence is a short statement which neatly summarises Orwell’s message. Upon finishing reading the essay the reader is left to contemplate this vulgar scene – IMPACT "A Hanging" by George Orwell It was in Burma, a sodden morning of the rains. A sickly light, like yellow tinfoil, was slanting over the high walls into the jail yard. We were waiting outside the condemned cells, a row of sheds fronted with double bars, like small animal cages. Each cell measured about ten feet by ten and was quite bare within except for a plank bed and a pot of drinking water. In some of them brown silent men were squatting at the inner bars, with their blankets draped round them. These were the condemned men, due to be hanged within the next week or two. One prisoner had been brought out of his cell. He was a Hindu, a puny wisp of a man, with a shaven head and vague liquid eyes. He had a thick, sprouting moustache, absurdly too big for his body, rather like the moustache of a comic man on the films. Six tall Indian warders were guarding him and getting him ready for the gallows. Two of them stood by with rifles and fixed bayonets, while the others handcuffed him, passed a chain through his handcuffs and fixed it to their belts, and lashed his arms tight to his sides. They crowded very close about him, with their hands always on him in a careful, caressing grip, as though all the while feeling him to make sure he was there. It was like men handling a fish which is still alive and may jump back into the water. But he stood quite unresisting, yielding his arms limply to the ropes, as though he hardly noticed what was happening. Eight o'clock struck and a bugle call, desolately thin in the wet air, floated from the distant barracks. The superintendent of the jail, who was standing apart from the rest of us, moodily prodding the gravel with his stick, raised his head at the sound. He was an army doctor, with a grey toothbrush moustache and a gruff voice. 'For God's