Choose 3 songs and 1 short story from Ó Conaire's collection of short stories which refer to Irish historical events that we have covered in this course. Pleaseonly refer to songs or short stories we...

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Title: Cultural Nationalism of Songs & Short Stories
Table of Contents
Introduction    3
Tools that Promote Cultural Nationalism    3
Comparison & Contrast    5
Conclusion    5
Works Cited    7
Introduction
Global history has projected and has arguably considered that the context of the monopoly of Highlands has exogenously embraced culture at the end of the 19th century. This was one of the most pivotal positions of cultural aspect in the prospect of nationalism that proved the intellectual energy of the 19th century towards historicism and made a more cohesive resurgence for the renaissance. The foundation of the independent policies and the parochial considerations in the community of the nation had a doctrine with regard to the exchange of culture. The first phase of the 19th century was influenced by a variety of cultural aspects. Songs and short stories were the most important elements directed toward the promotion of cultural nationalism.
Tools that Promote Cultural Nationalism
Padraic O Conaire was a journalist and writer of fiction based on nationalism. The story “Revenge” has contemplated the effectiveness of the national setting and the emotional prospects of the nationalist movement. This story has constantly focused on the aspects of the fictitious elements of the national movement in Ireland and the perspectives of a young boy Anthony. In this prospect, there is an increasing importance which was accorded to culture and the manifestation of diversity with an introspective spirit of a nation. The effectiveness of the community of independent nations contributed to it through the genius of the short story that contemplated the reawakening of interest in the past (Wulff). The proclamations and the distinctiveness that was objected to by the anti-cosmopolitan period were egalitarian and positive. This heart is effectively shifted from the ethnic sentiment towards the aspects of political nationalism that satisfy the first instincts that frequently necessitate the violence and nationalism of being. This is reflected in the lines, “I was doing it not only to avenge my only son, but for thousands of sons who had died violently for Ireland over thousands of years”. It represents a coherent fusion of culture and polity with the aspect of condition that was found in the chapters on Irish nationalism and cultural instincts.
The song of “The Dying Soldier” is about the execution of the...