At this ripe time, blank videocassette recorder (VCR) tapes and used recording equipment became available at low cost, as developing countries had started migrating to digital technologies. This fortuitous coming together of primed-up homegrown resources high postproduction costs in London and NTA talent looking for new opportunities) and availability of affordable imported resources (blank tapes and recording tapes) gave birth to Nolly wood (Miller, 2016).
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