AR300 Art History Directions : Unless otherwise stated, answer in complete sentences, and be sure to usecorrect English spelling and grammar. Sources must be cited in APA format. Your response should...

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AR300 Art History



Directions: Unless otherwise stated, answer in complete sentences, and be sure to usecorrect English spelling and grammar. Sources must be cited in APA format. Your response should be four (4) pages in length.
Textbook:
ART - A Brief History (Marilyn Stokstad & Michael W. Cothren) Sixth Edition






Part A
Briefly define art history as an academic field based on your understanding of the readings in the textbook Introduction. Next, discuss two of the natural and human threats to artworks that concern contemporary art historians. Provide specific examples of threats, the artworks involved, and how these threats affect the interpretation of the works by art historians. Your discussion should be based on the information in the textbook Introduction and throughout the textbook and lecture readings of the first four (4) lessons.





Part B
Explain the construction of megalithic architecture and dome building, tracing its history from pre-historic art to the Renaissance. Begin your discussion describing the architectural innovations of the tomb in Newgrange, Ireland and connect these innovations with subsequent examples of the tholos tombs in Greece, to the Pantheon in Rome and conclude with the Florence Cathedral. Your discussion should include a definition of terms you use as defined in the textbook readings and demonstrate an understanding of the connections these buildings have in common.




Works of architecture to include in your Part B discussion:


1. Tomb, Newgrange, Ireland. c. 3000-2500 BCE. Located on page 29 in the textbook.


2. Interior of tholos tomb, Mycenae, Greece. c. 1300-1200 BCE. Located on page 100 in the textbook.


3. Pantheon, Rome. 110-128 CE. Located on page 148 and 149 in the textbook.


4. Filippo Brunelleschi, Dome of Florence Cathedral. 1420-1436 CE. Located on page 307 of the textbook.


Answered 2 days AfterJul 27, 2021

Answer To: AR300 Art History Directions : Unless otherwise stated, answer in complete sentences, and be sure to...

Somprikta answered on Jul 30 2021
145 Votes
Art History        2
ART HISTORY
Table of Contents
Part A    3
Part B    4
References    8
Part A
    Art History as an academic field came into existence during the recent times. However, there are numerous art historians who have traced the discipline to much ancient times. They have in a
way, believed that the discipline of art history existed during the year 1550, when the publication of Lives of the Most Excellent Italian Architects, Painters and Sculptors took place. The publication was done by the Italian artist and writer Giorgio Vasari (Stokstad, Cateforis & Addiss, 2005). There are other people who trace back the journey of the discipline of art history to even earlier times than this year of publication. According to Stokstad, Cateforis and Addiss (2005), they have put forward the opinion that the discipline originated during the time of the work of ancient Roman commentator Pliny the Elder. He recorded the story of competition between the two Greek painters Zeuxis and Parrhasios. The discipline of art history deals with two distinct but interrelated aspects. One of them is the study of individual works of art outside the purview of time and place, and the other is the study of the historicity of art as a product of its broad cultural base, which is aligned with the help of iconography and contextualism.
    Art history involves an immensity of scope where there is a depiction of the various ways in which human beings have represented the world and expressed their ideas as well as ideals in the form of visual representation. According to Stokstad, Cateforis and Addiss (2005), the work of art history as a humanistic discipline, is to formally analyse the works of art and identify symbolism and subject matter through the help of iconography as well as add theoretical and contextual studies for the purpose of interpreting art. Art history involves a number of subject lines in order to comprehensively study art. The art historians use the biography of the artists as well as their patrons and their public along with the history of ideas so that an understanding is developed and inculcated for the purpose of studying the intellectual currents that are infused in the works of the artists and frame their reception. The art historians do not restrict their study to their works of art, they extend it to the study of other forms of art such as music, drama and literature so that they can gain a clearer and a better sense of the broader cultural context of the work of art and the artist.
    There are a multitude of natural and human threats that concern the art historians regarding the survival of different works of art. One of the human threats is thievery, where greedy people have stolen art objects. The Egyptian pyramids have been plundered and vandalized by thieves (Stokstad,...
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