1. Review Richard Wright's "Blueprint for Negro Writing," especially part 9 "Autonomy of Craft" p. 131. Wright states this:
"Negro writers should seek through the medium of their craft to play as meaningful a role in the affairs of men as do other professionals. But if their writing isdemandedto perform thesocial officeof other professions, then the autonomy of craft is lost andwriting detrimentally fused with other interests. The limitations of the craft constitute some of its greatest virtues. If the sensory vehicle of imaginative writing is requiredto carry too great a load of didactic material, the artistic sense is submerged."
Wright is speaking to the supposed notion that literary artists are obliged to write in service of protest and propaganda. Given what you have learned thus far in the literary history specifically, and the overarching history of African Americans generally, explain how Wright's argument is effective? Be careful to consider the underlined portions of the quotation above.
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